Louise Mellon's art will make you smile and inspire you with cheerfulness and vibrant color. Her subjects range from equine, canine and feline to polo, whimsey, mixed media, encaustic and dioramas. She also makes one-of-a-kind pieces from found objects, as well as acrylics and oil pastel. Have fun and a chuckle with Louise's creativity and humor.
About the artist:
Louise came from a family of artists and was encouraged and mentored by them from an early age. The request for a watercolor paint box was the ultimate bribe when she was ordered to sit still at age four for a photographic portrait. The formal portrait clearly shows the gleaming fifty cent piece she was rolling in her fingers that was for the purchase of a most cherished prize.
She grew up painting and riding and driving horses in Middleburg, Virginia, and now paints from her studio in Aiken, South Carolina. She also breeds Connemara ponies, and is on the Board of the Aiken Center of the Arts where she helps entice notables in the arts to Aiken to share their knowledge with others.
Her unusual paintings are always looked forward to at shows, and once buyers become collectors of her work, they are treated to extra gifts of works and discounts on future pieces.
Louise credits her family, her participation in many workshops, and courses taken at the University of South Carolina Aiken for the courage to do art that is different and frequently unexpected.
I took a risk and did a gloss medium pour over the whole painting and then added transparent inks and water soluble pastels. I'm working on this four-in-hand going through the water on a cones course in a competition. This is great fun!
I was not happy with the way Belle began so I started again with a new board and a different composition. Hopefully, this will go along better now. The underpainting this time is orange. She looks like she has accomplished a lot in her "office time"!
"The Wheelers" has been put away to rest and let the paint set a bit. In the meantime, here is the beginning of "Belle", who was photographed by her person after an exhausting job of helping in the office... by tearing up papers pilfered from the waste basket! This is going to be a tough portrait to do. The reference photo is posted here, and I have some other photos of markings. This one is 18" x 18" on gallery wrapped canvas, watercolor underneath, and maybe on top. also. We'll see. This is in the experimental category...which means that I will probably lie awake at night noodling over how to get it right. Suggestions are always welcome!
This is a really fun piece to work on with the action and viewing upward at the horses. Some of these colors wiill remain but many will morph into something unexpected...even to me, at this point! A special welcome to my hands-down, favorite instructor and friend, Elin Pendleton. You can see her wonderful work at www.elinart.com. She is a master of color and anatomy, as well as being just darn good company!
I started The Wheelers today and you can see the blue background that will contrast with the colors to go over it. The title refers to the two horses closest to the carriage that are actually doing the pulling, while the two horses up front (the leaders) are there in case they need to help pull the load. A four-in-hand takes great skill to drive and especially to compete with. This one is also going to be a lot of fun...I guess I really like my job as they are all fun! This one is oil pastel on gesso board and will most likely be $1450.
Here is the more-or-less finished piece. I took it to the photographer, and as I was posting this snapshot to the blog this afternoon, I noticed a part of the black horse's nostril that needed to be made more accurate. I quickly called the photog and he graciously offered to re-shoot it tomorrow after I take my repair kit to his studio and make the correction. Whew!
This piece is almost finished. The photo doesn't come close to the subtleties of the shadow colors. When it is professionally photographed and put on the website, it will look much better. Someone has inquired about the sizing and quality of the posted photos. Some of you found them too large to see properly, and some of you wanted to see them more enlarged to view painting strokes. I would like feedback as to this one's size and resolution. I don't want the photos to be high res enough to be lifted, but I do want collectors to see enough to know if they are interested in investing in the purchase of a painting. If there is interest in a certain piece, I could always send a higher quality image. Does anyone have advice for me on this? Many thanks!